The novel follows 16 year old Thomas, who finds himself
trapped in the ‘Glade’. Desperately racing against the clock, he works
alongside fellow ‘Gladers’ to find an escape from the ‘Maze’. The quirky
semantics used by the Gladers keeps the novel feeling fresh, distinguishing it
from any other sci-fi novels. The story borders on the Hunger Games where an
overseeing body has the power to control the fate of whoever lives in their
domain. But don’t be fooled by the turmoil to unfold as unlike the universally
loved series, The Maze Runner combines more terrors and unenduring secrets and
surprises than can ever be fathomed in Suzanne Collins’ series.
It’s not often that you come across a book that comes close
to terrifying you with its raw descriptions of death and the brutality of
survival. The Maze Runner crosses the divide between what we determine is false
and true, stripping away certainty in such an intangible way, leaving you
feeling lost in a barren wasteland. It is easy to identify with the
helplessness felt by the characters, lost in the ‘Scorch’.
James Dashner thinks with clarity and precision,
thoughtfully captivating our interest in developing the complicated story he
tells. When I started reading the books, I noted how the language wasn’t
entirely complex. It was simple and sometimes boring. I would have liked to see
him approach the novel with greater dexterity, involving bold choices of
language. Nevertheless, the narrative is fundamentally brilliant. It just goes
to show that you don’t need tortuous language and devices as long as the plot is
gripping and lively.
It is certainly worth reading these books. Whilst they
arguably don’t create the magnitude of emotions done so by writers such as J.K.
Rowling, they are a true page-turning read that will have you glued to the
words at 3am in the morning.
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