Update!

Unfortunately I haven't had the time to be able to keep up with writing about new music but in the mean time, you can have a look at my A2 media blog which I'm currently investing half of my time into. Since my last update, new music has hitting the scene, crashing hard to top the Christmas charts. Topping tunes like 'Uptown Funk' and winning X Factor single, Ben Haenow's cover of 'Something I Need' by OneRepublic are a few examples of the music bracing the music scene. New albums by the likes of artists such as Kodaline, Bastille and Fall Out Boy are soon to be released by which time I may afford some reviews!

Interview: Clinton from Chase Atlantic

From left to right: Christian (17), Mitchel (18), Clinton (21)

It's come as no surprise that music today is becoming ever more manufactured by industry experts, some of whom envisage and run with good intentions for their artists, others to solely dominate whatever said artist produces. I'm sure you'll agree with me that music needs revitalising, not in change of a more prospective form of management, but rather to go back to the roots of music itself: soulful and characteristic. Chase Atlantic acts, with commendable artistry, as a testament to what we value most about music. As a band, it's not just their coordinated harmonies and rippling tunes that makes them successful but the fact that as an independent band, they can put everything they've got into directing themselves. It's important that artists are able to show their dedication to what they do and what they produce; Chase Atlantic is certainly a band to demonstrate this. If you're looking for great music which overwhelms the senses then this is the band for you. Although your first assumption would be to guess this band is focused on an indie sound, you'd be wrong. Combining dulcet tones, strong beats and even a jazz element, it's hard to define their sound to one type, so there's no excuse not to be in one way or another, enraptured by their music. It's hard to believe that these 3 guys have been able to show such drive at such a young age so as to commit themselves to managing their sound and the band itself, despite the commitments that I have to manage well just as much as they do.

I was fortunate enough to get an interview with Clinton where he spoke everything music from different styles, to playing shows.

I assume you all originate from Sydney?
Mitchel and myself grew up in Cairns, Far North Queensland and now currently live together in Brisbane. Christian has lived in Sydney for most/ all of his life and currently still lives there.

Do you have an idol? If so, who is it?
I don’t think we have one particular idol but rather multiple influences who all influence us in a certain way. Whether it be music, fashion, branding, personality or other finesse skills.

What's your favourite music genre?
We all love many different types of music and do not have one in particular that stands out above all. We listen to anything from rock, pop, EDM, Hip Hop, RnB, Jazz, Funk, Classical and even music from the 50’s all the way to now.

How did you come up with the name?
We spent months searching for a name that we were happy with collectively. The sad truth is we actually came up with quite a few but nearly every single name us taken and currently or previously been used. Mitchel and myself sat down one night after months of searching and made a list of words we really liked. I randomly put together Chase and Atlantic and we thought it would be a cool name if we were a complete indie band and dismissed it at first. An hour later we came back to the name and thought it may actually work. We realised that the two words together didn’t really represent anything in our current world and would allow for people to visualise our music and band when they heard it rather than imagining something else. Like Coldplay for instance, what does that even mean? There may be an answer but when you hear it you instantly think of the band rather than anything else.

I read that Mitchel and Christian got into the top 10 of X Factor in 2012 and this inspired you to become a band. How so? Can you describe how you decided to form the band?
They were in a boy band that was put together prior to the show and made it into the top 12 for that season. The band broke up a year later but Mitchel and Christian remained close friends. Mitchel had always produced and recorded music with myself and several months later we decided to use our abilities and create a band where we could make the music we wanted to make.

Are there any artists you aspire to?
Like I mentioned earlier, we have many influences we are inspired by and the same goes for artists. We pick out intricate details from the artists we like and I guess that is portrayed in our music and actions, not necessarily intentionally though, I guess it just happens naturally.

How have your shows been so far?
Both shows so far have been really successful with an amazing response from the audience. The stage presence as well as the music has all played out successfully in an almost natural way, as if we were destined to jam out together on stage haha! Our first two shows were both completely sold out prior to the performance date so we were really happy with that.

What do you think's the best thing about performing?
The best part about performing would have to be being able to share your music and creative abilities with the audience in a positive and energetic atmosphere. Also, performing alongside our brothers/ best friends is an awesome shared experience.

Is there anything you don't like about working with music?
There are many negative aspects when working with music, but these usually don’t relate to the actual music itself. Being a successful band or artists requires lots of business work where there’s always the chance of running into problems or negative situations that you cannot avoid, like most other types of business’ I guess.

On your website it says you all play a variety of instruments and each serve as producers for the band. It's difficult to come across any artists who can uphold all these roles. Do you think it's important that music artists take a leading, active role in their own management?
Having almost full creative control over your own music is probably one of the best ways to be able to make and perform the music you truly appreciate. If you are an artist or band who cannot produce or more importantly write your own music, you will normally have a lot less say in your work and will be shaped into an act that your management group or label wants you to be.

Your EP is out already so are you on track for creating another EP or can you say an album's in the works?
We have been working on writing and producing a whole bunch of new music for the last four months. The reason for this is so we can develop our sound as much as possible before releasing out next work. I believe we will be releasing a second EP within the next few months and hope to release a possible single before then just to tie us over between releases.

Finally, is there any chance you'll be taking your shows further afield, in places other than Australia?
There is a good chance we will be touring Australia as well as internationally over the next two years as plans are already in the works. Travelling and touring is always hard whilst being independent, and school and uni commitments make it even harder again. We can’t wait to start performing again though, which will hopefully be very soon.

You can buy the band's EP, 'Dalliance' from iTunes now.

Gig Review: Amber Run

Yesterday my friend and I made our way to the Art Bar in Oxford where we were immediately struck by the unique and relaxing ambience of a bar maintaining control,with the dulcet beats of tunes in the background and comforting décor. Old vinyls plastered the ceiling, and wooden kegs were erected in different places around the room to create an authentic environment. First act up was Pixel Fix.

Pixel Fix performed with vivacity and fervour so much so it was difficult not to feel enraptured by the lyrical beat of their mixed acoustic voice and electronic sound. It's a successful combination of styles bound to get artists following in their footsteps. I was actually quite disappointed to find that, at least from where I stood, people afforded little attention and clear enjoyment of the adroitness of this growing band and it just made me think how underappreciated support acts can be. If anything was to be said about this band, ignoring them would be a massive mistake. Yes, at times, it was very difficult to distinguish what they were singing but did that matter? No. What was highlighted during the gig was how well the band was able to use the variety of instruments and sound to still captivate me as a music enthusiast. For music to be good, it has to have more meaning than simply just to look deeper into the lyrics. You have to think more about what's being said through how they are being sung, how the instruments are being played and how the band interacts and works together to pull off a momentous performance. Pixel Fix definitely demonstrated this.


Next up was Kimberly Anne. I'd already seen a cover she'd once performed with Lewis Watson so I was aware of her insane skills as a singer and musician. Her performance reeled me closer into admiration of her addictive tunes. Packing in harmonising vocals, drums and the especial addition of an xylophone (all the way from Arica-exotic much). I really liked the moments when she would break into the song by smashing the drums with finger-clicking speed. But then even on the most mellifluous songs, it was great to have that juxtaposition between elation and euphoric repose. She epitomises what you want in a singer, a good voice, with artistry and a amicable personality which was nicely witty, and it's not easy to do that, which is why I think that her stage presence and talent makes her a born performer. 

Fyfe was the final support act bringing forth mellow vocals. Out of all the support acts he clearly received the most attention from girls who fell for his almost cathartic and soulful rhythms. He has by far a talent which comes to match the other acts I witnessed that night but my only problem was that I felt his interaction with the audience was quite stifled. Other than that it's definitely right to say that his performance was intense and gripping but then again maybe this is why I still felt grounded to the world when I listened to his music, rather than feeling myself become detached and sent to another world of ecstasy, which is what I enjoy most about music.

When it came to Amber Run, the lead up had been slow and yet patience was certainly not my virtue that night! Luckily the gig kicked off right from the moment they set foot on stage and already the atmosphere in the venue had changed. I knew as the melody began to fade in that what was to begin was one of my favourite songs from the band's 'Pilot EP', I Found. It didn't help the fact that I could see Joe, back to the audience, preparing for a dramatic build up before slowly turning and belting out rich vocals. I love this song for a number of reasons. The control in how the band adds intensity in varying ways, just with their instruments, is one. For another their symphonious harmonies, dare I say it, are enough to melt butter (such a cliché but my God do I believe that!). One of my favourite things about the band is also about being able to watch them perform and see how the beats and melodies makes them feel; it's easy to see them physically engage with the songs which clearly shows how passionate they are about music. Really, it's artists like this band who can clearly demonstrate ardour for music who inspire me to want to delve into the industry further, no matter what issues that lurk in the darkest corners of the industry.

Even in the most energetic songs like Spark and Noah, I felt exuberant and care-free.  Heaven was definitely one of the most uplifting songs which had the venue easily moving to the quick drum beats and guitar strums. You could lose yourself to their music, it's that beautiful. At the end of it all, isn't the main aim of music to provide an escape from reality? It's hard for me to find artists who truly and deeply do this yet this band defies that. Admittedly I was a little disappointed by the fact the performance was over so soon, but with an album on the horizon I'm looking forward to a longer performance the moment their next tour comes around.

Interview: Marcus from Pixel Fix

If you're looking for new talent, immersing itself in the music scene and winding it's way into the vulnerable pleasures of our subconscious, then look no further. The Oxford-based indie, electronic band, Pixel fix is made up of a group of talented artists, who came together to do what they love most: perform the music they're fervent about,  and have a deep-rooted impact on people, just as some of the most successful artists to date have been able to conquer with masterful artistry. Marcus (vocals & guitar), Jarred (bass), Clem (lead guitar) and Rob (drums) use their passion and skill to create music that overwhelms the listener with a blanket of sound from a variety of instruments, synth sounds and vocals which are sure to leave any listener feeling both pumped and relaxed when listening to the lyrical and yet up beat style of their songs.

Yesterday I was lucky enough to sit down with lead vocalist, Marcus for a quick interview where we discussed all things music. After greetings, the interview commenced.

How's the tour been so far?

Really good. We did the new faces tour-we started that on Monday and it's been really great, really good crowds and stuff and it's good to be touring with three other great artists as well. So it's been really good, really enjoyed it so far.

How did the band meet? Where did it all start?

Well me and Clem, the guitarist, we've been friends from when we were really young, and we were starting to make electronic music and as that side started to progress, we started to incorporate more guitars and stuff like that. Kind of sounded like it needed to be a band. We've been in bands with the other boys before so we rang them up. We seemed to be on the same wave-length and we all started making music together, and then the rest is history, as they say.

You originate from the Oxford-area so do you think the area has had an influence on your music?

In a way, I mean, Oxford's kind of our musical home, our first proper gigs and stuff like that were here and I think it got us start playing live so I think that in that sense is kind of a big influence , I  mean we're quite a way out of Oxford so the music scene hasn't affected us that much, but we've been lucky. Some bands have taken us under their wing a bit and the early doors of it so yeah, it's been really good. Oxford definitely has been good to us.

How was it that you actually came to choose the genre? I read The Guardian and they were saying that it was quite an indie/ R&B sound.

Yeah, I don't know, a lot of people seem to say that. It kind of happened naturally, I think when you start to think about it too much it starts to be too much about the genre and less about the songs. I mean for us it was kind of just a natural progression of making electronic music and then started making band music and a lot of us, a lot of people started to say it was kind of this R&B thing we never really thought about but it's interesting to hear; I think yeah, just naturally kind of happened, definitely. I think that's the best way.

Many artists have different influences on their music, whether it's a personal experience or inspiration from fellow music artists. Is that the same case for you?

Yeah well lyrically I'm kinda, I know it sounds a bit cliché, more of like in the moment kind of person. I think something has to influence me emotionally for me to write lyrically something about it. I've always admired people who can do it about things that are not necessarily linked to them. But something has to specifically happen to me for me to write lyrics about something.

So with your sound writing process, is that just thinking of lyrics first and then going into the chords?

Yeah it varies. Sometimes I can write lyrics first and it can kind of be just written down things that I like and other times we've been inspired by a certain sample or a certain chord progression you start musically and then write a melody and then lyrics. It kinda varies.

Are there any artists that you aspire to?

Loads! Guitar music's probably the reason we started making music in the first place and kind of wanted to even, you can think about even playing or making music but I think over the recent times electronic music has been the biggest kind of influence for us in the sense of production and everything like that. There's so many I can't really name one but no we're definitely fans of loads, loads of different things

I know your style sounds a little bit , I think some people have said as well, it sounds a little bit on the verge of the 1975, do you like them?

Yeah we get that, they're cool. We were lucky enough to play with them a few times, so yeah I've heard that before

What made you think that, yes, this is what I want to do with my life?

I don't know, I mean we've been doing it now for so long I can't really see my self doing anything else if you know what I mean. I know it sounds a bit weird, but it's what you enjoy the most and you gotta do something that makes you happy. When we started to get more recognition and started to get radio play, and real people are actually coming to our shows I think that was the point when we were like, okay it's actually kind of happening. So I'd like to take this as far as we possibly can.

Social media is a massive platform for musicians such as you and your band. Have you found it easy to use the sites to your advantage or do you think there's been more negatives to it?

No, I think in this day and age you're social presence is your band, so anything you show to people is because before, the only way you could show yourself as a band is live; but now it's your presence online, that's how people perceive you and that's how people recognise you as well as coming to see you live. I think it plays a massive part. Facebook have changed now and you have to pay for advertising and things like that, so we put a status up and like only 600 people see it and we've got 6000 likes on Facebook, so kind of annoying. That's kind of a negative but definitely it's kind of the key now; you have to do it, in this day and age.

Finally, what advice would you give to artists that want to get in the music scene?

I would just concentrate on writing songs and just make music if you love it, and then keep doing it and if it's good you'll start to be able to get opportunities like we did. Just don't think about it otherwise you''ll drive yourself crazy ; just write music, that's probably the best way.

I highly recommend you listen to this band and if you like what you hear, their Running Thin EP is now available on iTunes.

Book Review: Sick by Tom Leveen

I recently made a few points, reviewing the apocalyptic horror, Sick by author Tom Leveen, for Maximum Pop which you can check out here!

The book that builds suspense and is full of action. MP!er Wilhelmina reviews @tomleveen's #Sicknovel @ACBYA http://t.co/BLc0ZpgeeE
— Maximum Pop! (@maximumpop) November 1, 2014

Play Review: National Theatre Live Film of Frankenstein

It may have slipped your attention but for one night only (of the whole year),tonight, a film of the National Theatre's 2011 performance of Frankenstein finally featured at cinemas across the UK. Featuring the acclaimed actors, Benedict Cumberbatch and Jonny Lee Miller, both actors demonstrate a switch in roles as either Frankenstein or the creature. In tonight's performance I was witness to Benedict's interpretation of the physically inept 'creature', or monster as most people cried out.

It's extraordinary how well Benedict brought this character to life, simply through how he moved and spoke. For at least 10 minutes I was witness to what can only be described as a scene mimicking birth where Benedict was seen crawling from a womb-like screen and left alone to deal with becoming aware of his body and how it was created to move and function. Like a child making it's way into the world, I felt I was watching him grow into something incredible and it was beautiful to see. But you also saw his innocence and fragility and how easily he was affected by what surrounded him as well as how people taught him. I really admired how the company behind this production had structured this play and showed this slow development of the creature's character. I saw his elation at the new world and the surprise to feel new sensations like rain, grass and all the simple things we take for granted. I felt as if I was watching a child exploring a new world. But then I saw how society treated him: with fear, disgust and contempt. People hurt him and for no good reason. He was innocent, a good 'man'. This built pathos and I'll admit I felt close to tears watching this profoundly dramatic performance.

Frankenstein's monster, as we know, was a monster to the characters in the novel. He appeared like one, was treated like one and became one. The theatre production really highlighted the fact it wasn't the creature who was the real monster, it was society; society who had corrupted this character. It was man's world who destroyed his goodness and shaped the evil inside of him. He saw man and learnt from what was before him, believing that's what it meant to be a man. Never had I seen an adaptation of Frankenstein that gave the creature a voice! Never have I seen a production put across Shelley's deep and integral message about society. It almost seems obvious now that she would think of reflecting society through how the creature was treated, considering she was an impressionable young woman who would have had strong beliefs. After all, she lived in a time where corruption hid in the darkest of places, swimming in the streets of England. Being just a year older than I am, she was also just as likely to form a strong opinion against it.

Although good reviews need criticisms to prove it effective I really can't fault this. It was incredible re-enactment of the classic gothic novel which will remain one of my favourite plays for a long time! I think it's also important to mention that for an actor to be able to successfully play a character in such a convincing way as to grab the attention of a theatre full of people, with simply the smallest inclination of their head or averted gaze of their eyes, you know you have a great actor under your hands. It's a real test of talent and Benedict definitely proved his worth!

http://vimeo.com/67405992

Gig Review: Ed Sheeran

 

You simply can't underestimate nor belittle the talent compressed into one venue when you are witness to one of the most profound and electrifying artists smashing the charts right now. That artist is Ed Sheeran. Last Sunday I camped out since 4am (dedication at its best) to see Ed at his second show in Birmingham (NEC). Ultimately the queuing is a bore, particularly when the doors are about to open and you're clustered within a group of people who are more than happy to push you out of the way just to get to the front first. Fear not, this was only the entrance to the venue, not the actual room. When it came to getting into the arena, security had us walk in a single line before we could disperse to whatever point in the line we desired most. Organised and systematic, the structure was well thought-out.

First act up was Jamie Lawson. Significantly serene, his voice had me lulled into wonder as he called out songs of his own and began to make a connection with the audience. Shortly followed by this was Saint Raymond-a spark in the bonfire. I had already heard of Raymond's work before the gig and just like many acoustic songs, his music has solid, steady beats and a rhythmic tune which is simply enjoyable to listen to. However at the concert Raymond completely smashed this and crashed out lucid tunes with erratic beats. Not only was Raymond's passion evident through his singing but also in his body language. There is nothing more enthralling than being able to see an artist stand up on stage, crunching their eyes in concentration and embracing their guitar whilst pumping their body to sound of their music playing out through the speakers. Adrenaline coursed through my veins and it was a good job, because Ed was next,

When Ed arose on stage, the arena instantly became one. Animated and enthralled Ed's mere presence caused hands to rise in unison as he cast a downwards stroke on his guitar and strummed his way to the song 'I'm A Mess'. One of the most effective things about an Ed concert that you need to know, and if you have never been to one of his concerts, something you ought to know, is that Ed doesn't just recite his songs but he transforms them, adding ad libs here and there and adding pulse to the beats much like a DJ does when he/she edits a song. This show was no different. You can really feel him put his heart and soul into the music, making every show unique. Even with slow songs such as 'Bloodstream' Ed had the chorus sounding more like a club classic than a soothing tune. With arms raised, ready for them to bounce over our heads, a sense of unity and love for the music had me feeling that the arena was bursting with life and just like family, we shared a bond, simply because of how profound an effect this one man had on us all.

It wasn't just the music that had me screaming until my voice gave way. Digital graphics, and moving images were projected onto a series of screens behind Ed as he sang. Some were more artsy and interesting than others whilst some graphics had instant links to the songs. For example, when 'I See Fire' was played, footage of the mighty Smaug from The Hobbit was presented. Being a geek and insane fan of Tolkein's work there was hardly a moment for me to be rendered silent as already the outcries and moans of joy took over.

At the end of it all, this was a prodigiously phenomenal experience that I definitely recommend any one going to see. Even if you only feel an ambivalence towards Ed or you think his music is fairly okay, there is no doubt in my mind that venturing out to a concert will leave you with a higher appreciation for this singer who once struggled for audience appeal but is now selling out arenas across the world-a house-hold name with the potential to go beyond our expectations and more.

Friday 3rd October! Lewis Watson Gig

Hello! So on Friday, as it says in the title, I went to see Lewis Watson at the institute in Birmingham. I've made a video where I talk about it for a bit, mentioning the amazing support acts, Andreas Moe and Amber Run. I filmed it on Saturday so when I say the gig was yesterday I mean Friday. Plus I apologize for some very incoherent and perplexing sentences, trust me i'm just about getting used to talking to a camera :P Also i'm aware that most of the time i'm talking about why I love music so although the video does include me talking about the gig it did allow me to speak about how the gig has helped show me that I am passionate about music and the idea of a career working in music.

Ok, so this video may bore you, in which case i'm sorry but if you happen to listen for a little bit I would be more than grateful! :D

Album Review: No Sound Without Silence by The Script

After 2 years lost without the distinguished sound of Irish pop/rock group, The Script, we can finally burst out an elated hell yeah as the band have now released their latest album, No Sound Without Silence. Whilst The Script have held on tight to an almost indie/rock sound defining their distinctive style down to a tea, with songs like Man on a Wire and Without These Songs, they've branched out, favourably creating songs with different themes to appeal to virtually anyone. You have sweet songs like Never Seen Anything "Quite Like You" which contrasts with lyrical, evocative tracks such as Flares, that connects particularly with individuals who've had a troubled background, telling them that there is someone out there to help, they’re not alone and that they can fight the weakness that threatens to consume them. Hail Rain or Sunshine is jovial, genial and strongly rooted with a Celtic- folk background. You can imagine going to a party/club and using the song to cajole someone to dance, the way you urge your mates to get off their butts and dance because what's the point in a party if you don't enjoy yourself?

It's not just these few tracks that illuminate the adulation truly deserved of this album. The latest single, superheroes, is electric; if you simply plug your headphones in and sit listening to this song you're bound to be itching to move, to raise your hand in the air and rock it above you head, shaking your head like this is the first song you can really connect to with serious conviction.

Of course what I’m saying is all very positive and I don't expect you to relate to my stories or in any way feel strongly towards the music; after all it's only my opinion. But then aren't all reviews just opinionated comments by the writer?

If the artwork is enough to enthral the senses, then the beguiling beauty of this album is sure to have you lulled by this band's soulful sound. Public opinion can attest to its brilliance having shown that within the first week of release No Sound Without Silence was able to hit Number 1. Take a chance, listen to this album and revel in the artistry of these talented artists; it would be a shame if anyone were to push that away.

Single Review: Oh Cecilia (Breaking My Heart) by The Vamps

You either love them or you hate them. That’s how it seems to go, at least in a lot of peoples’ opinions The Vamps are simply regarded as another ‘boy band’,  apparently with a degenerative music taste and style, or as other people would have it: no talent at all. You can say what you like about this band, but a lack of talent is not one of them, unless you’re prepared to be countered. The Vamps, like many artists to hit the charts, have a sound that is instantly recognisable. 

Expressive and uplifting, Oh Cecilia is without a doubt a perfect song bound to surpass the top 10, even hitting the top 3. It’s energetic and just as with all of The Vamps songs, can either put you into a state of repose or a frenzy of euphoria and the latter is most often the case. It’s all good explaining how the lyrical nature of the song makes it pleasurable to listen to but as a concern, plagiarism takes place where we find that the chorus has been taken from the song Cecilia by Simon & Garfunkel. It’s seems obvious that management must have paid off the rights to use part of such a big song however the question still remains, did they have the right to put in half of their own work leaving the remainder of the song written by others who may have been considered harder working than these 4 guys? I’m not going to discredit The Vamps because the song is still effortless and beautifully constructed. Yet whether we can call it purely an act of their own creativity and intuitiveness we have yet to decide. Available for pre-order now, Oh Cecilia is due for release 12^th October, available on iTunes here.

Single Review: The Nights by Avicii

Swedish DJ Avicii, worldly acclaimed in his profession, has released news only recently that not only will he be releasing a new album (Stories) but new track, The Nights, set to feature on the Official FIFA 15 Soundtrack. What’s characteristically remarkable and effectively impressive about Avicii’s songs is that he sustains the ability to create powerfully anthemic dance tracks and he certainly doesn’t disappoint us here. Featuring the conventionally typical chanting of a thousand fans, chorusing one another in a moment of shared bliss for pride in their favourite team, The Nights captivates the optimism of the common football fan, smashing this with the love of a committed music enthusiast to crash forward a song anyone can appeal to. If you’re a fan of former hits, Addicted to You and Wake Me Up, then this is a song you’ll relish and appreciate tenfold. Ok, so you’ve heard the good points but what’s wrong it? If you despise techno music, or any form of music that now fine-tunes the meaning of festival spirit then you’re not going to enjoy this track. Luckily for you, there is only a small percentage of people who find that this is the case. 

Single Review: Blame It on Me by George Ezra

I’m sure you’ll agree that as an up and coming artist George Ezra is definitely set to be another favourite. He could run rings around the charts with his voice, unique as the likes of artists such as Sam Smith and John Newman, both of whom have consistently made the top 10 and obviously favourites in the public’s eye. Following on from the success of debut single, Budapest, George brings forward the insatiably catchy song, Blame It on Me. This tuneful track is beautifully euphonious; the combination of acoustic guitar, rubbing mixture of synth sounds, soft drum beats and naturally lyrical sounds like the clapping of hands, and the clicking of fingers come together to form a modern twist on folk music. Admirably, to be able to make a mainstream song from this stylised ‘genre’ is commendable. Despite what we love about this, the start as you may criticise, sounds like a retro TV show opening. Cheesy as that may sound, the moment George’s strong, and yet irresistibly rustic voice pushes its way through, that thought is instantly obliterated. In truth, everyone has their own thoughts on music which may cause you to pass this song off, however I’d say that even if acoustic/pop music isn’t your thing, this is definitely worth a listen to.

Single Review: Centuries by Fall Out Boy

You’re at a concert, sweaty and bushed. Bodies grind on yours and to be honest you couldn’t care less if you passed out there and then, because what’s more frustrating than waiting for that one song that gets your blood pumping. This is that song, strikingly uplifting, leaving you feeling utterly inebriated (basically intoxicated beyond reason). Centuries is everything you want in a rock song: it’s sharp, eternal and crazily strident. If you’re a fan of FOB, you’ll love this track; it’s ridiculously unforgettable, mind-blowing and adrenaline pumping, a song to enjoy with avidity and ardent respect for electrifying rock music. Admittedly it doesn’t have the reverberating riffs that leave you dumfounded and crashing your ears to the stereo, screaming with complete devotion to a band’s sound; it’s not hard-core rock. Nevertheless it grinds together that soul-destroying, perfect combination of collected artistry to bring you a sound to match our expectations of what music really is: a sound that enriches the listener with a bristling, whole-hearted love, and a deep, emotional connection made simply from a bunch of noises.

Media A2 Blog

Sadly I haven't been able to find the time to write much lately and chances are that will happen for some time. In the mean time I'm working on my last year of A-Levels! SO MUCH FUN (aha *cries in a pool of emotion*) Art, English, philosophy and media will hold my attention these coming months...but have no fear! Since media coursework is technologically assessed you can read my blog as I work through not only making my own short movie but a movie poster and film review. This time ALL ON MY OWN. Yes, it'll be challenging but I am so damn excited for this, and it'll be my first experience at creating a Sci-Fi film where everything is completely my own creation-new words and all :D I hope to update this blog more but if I'm not writing for a while, you know where to look ;)

Album Review: Ashley Roberts 'Butterfly Effect'

You can view my review here.

Interview: Jade Avia

INDUSTRY INTERVIEW: Capital Xtra Breakfast presenter Jade Avia http://t.co/lZDdYTtlMX via @Pop_Scoop
— Pop Scoop! (@Pop_Scoop) August 19, 2014

Again, i didn't write the intro to this interview but all the questions are mine.

Interview: Beth Sherburn

Here i haven't written the intro but the interview itself was written by myself for PopScoop a few weeks back: http://www.popscoop.org/2014/08/04/interview-beth-sherburn/

My experience as a runner...

Whether you've taken notice or not, this month i've kept updated less than i would have preferred to due to the fact that i've instead been investing my time into working for a new zombie movie called Apocalypse. This week filming still resumes with the end of the month concluding the shooting of the film. Originally i was told that i'd be working for the first week of August as a runner for the production however i've ended up working pretty much the entire month. Managing just enough breathing space for a 3 day break i wanted to explain my thoughts on the experience so far.

Fundamentally it has been such a humbling and inspiring experience to work alongside the people i have and to actually see first-hand how much work has to be put into making a film. What's more, it was my first look at how people interact in a work-place environment that is creative and purely focused on gaining audience appeal to make a profit; essentially this experience has been about understanding the level of effort and hardship that is put into an industry that is bent entirely on whether the product is successful or not.

As a runner the responsibilities lie with helping organise people and to be considerate of the crew and cast's needs. This includes making drinks for them, catering to their needs in terms of food and also particularly on location, away from base, guarding the filming area both for health and safety and to ensure the general public do not disrupt the progress being made.

It's surreal to find that it's only been a month that i've spent working on the film, it almost feels like a lifetime ago that i took my first year of A-levels! There are negatives to take from this, just with any profession. This is a low-budget feature so not everything went to plan and things were a little rusty at times but at the end of the day it has still given me an invaluable insight into the film-making process. There were many occasions when communication wasn't too good and as a runner, myself and others were the ones to take most of the crap from people. But y'know you have to brush it off, ignore the accusations because you're doing the best you can AND with no pay, purely because you volunteered so there is no right for others to judge you and disgrace your presence. This doesn't go to say that i didn't enjoy the time i had because i did, truthfully. And i do now, with a few days left to work, i do enjoy experiencing the environment that i'm in. Over the course of this summer i have worked alongside individuals who have completed university and it has given me a confidence that i could only have ever gained in several years time and for that i am entirely grateful to the people i've met and made good friends with. I hope that this is just the start of something entirely different and even more electrifying.

http://www.imdb.com/title/tt3332282/

You can follow the progress on Facebook.
Check out the website here.

Album Review: This & That by Loveable Rogues

ALBUM REVIEW: Loveable Rogues - 'This & That' http://t.co/E4jyM3scXo via @Pop_Scoop
— Pop Scoop! (@Pop_Scoop) August 15, 2014

Interview: Sam Martin

 Chance is you don't know him, but Oxfordshire-based singer/songwriter Sam Martin is certainly someone to have you raising your eyebrows at, wondering why on earth this voice isn't already hitting the charts. Bring together the raw acoustics of 'Ed Sheeran' and a pinch of the illustrious intensity and emotion of American band 'Barcelona' and you just about touch on Martin's sound. Whilst I can notably name artist after artist, made in comparison with Martin's music, there is no sound out there that can quite define his style. The tone to his voice is undeniably unique, mesmerizing and exceptionally languid. I'll admit I can only say this for a few artists but there is something about listening to a song which will either have you immediately skipping it in frustration or deciding to wait a while and hear how the artist lets it grow into something majestic and enrapturing. Martin is one of those artists, able to use his voice to captivate the listener and beguile the senses in a way you feel utterly transfixed by this strange sensation. It's like walking into another world, or staring at the majesty of our landscape, such as water in the ocean; both dangerous and yet beautiful, you can either choose to be swept up with it or to resist it. Essentially, there are many people out there who would much rather sit at home, cramp up the volume on their iPod/Phone and rock out playing air guitar. Then there are those who would prefer to take their interests to clubs where they hang with their mates, drinking cocktails, beers and whatever selection of alcohol to delude the senses than admit a preference to listen to a soft acoustic tune. Inevitably, not every one will take to acoustic music like Martin's, with great fervour. Nevertheless this doesn't mean his music is any less important.

Whilst Martin's songs invariably differ in style, with some taking on a characteristic folk sound, Martin yet remains rooted in the acoustic genre, really revelling in the artistry of his guitar-playing and emotion to which he conveys through his voice. An artist with the power to subdue the senses into a state of repose, you do not want to miss this talented singer who is making his way to the top with one goal for success.

So there's a little context for you, I admit I digress; recently I caught up with Martin himself where i sent across some questions online which he replied to , detailing how his music career stands today and the influences behind his expressive music. Here's what he had to say:

Have you been enjoying playing shows, particularly with the festival season upon us?

Yeah it's been really great this year, i've been playing festivals all over, it's such a unique way of performing, every body just comes along to enjoy music and it's great to meet so many amazing and influential people and other artists. I've played some of my favourite festivals that i've been going along to for years. It's a beautiful time of year to experience music.

When did you decide you wanted to be a singer? Did you start learning guitar and got into music that way or was it something you've known you've always wanted to pursue?

I've been in love with singing from a really early age, I was always captured by amazing vocalists when I was growing up. My house was very musical, both of my parents raised us on such a diverse and eclectic array of genres, even as a kid I drew so much inspiration as well as aspiration from a very early age. I knew that it was something I would always be in love with, everything I listened to just made me want to write and create my own music to share with people and it's taken me on an amazing journey. I've been playing guitar since I was really young, we always had guitars around the house. My dad played when he was younger and showed me and my brother the basics, from there I was really captivated by guitar, as well as singing at the same time. From there I just wanted to learn and play everything, rhythm and lead guitarists like Jimmy Page, Hendrix, Clapton and these amazing blues guitarists my dad got me into really taught me of the dexterity and fluidity of guitar. The years went on and I started to play piano and other instruments to record with friends, it was really great getting into all kind stuff.

Do you think the area has influenced your music?

Definitely, I will always credit the growth and expansion of my music over the years to where I grew up. There's such a genuine love for music in the area and an amazing scene for anybody who wants to create and share their music. I've been really fortunate enough to work with some beautiful people who have shown me incredible support over the years. It's made everything so enjoyable and I'll always be grateful for that.

Are there are artists who you aspire to? Or have they acted purely as an inspiration to you?

Yeah absolutely, like I said I was listening to so much from such an early age I think in a lot of ways, everything I listened to inspired me even if it was in a subconscious way. I was always in love with great songwriting, artists like Joni Mitchell, Neil Young and Nick Drake have played a big part in the way I approach songwriting and I look up to them in that respect, the list of inspiration goes on for miles. I think there's an intangible beauty and human connection in songwriting. You're really exposing who you are through music and it's amazing when people can share it with the world. I always wanted to combine my love of guitar and singing to create something raw and personal I guess. Something I can express myself through.

What, personally, do you think is the best thing about singing?

The emotion behind it, the feeling of performing live is something I can never put into words, it's always been my favourite part of singing. It's an incredibly human experience, that sounds really cliché but for me it always has been, that connection with people is amazing. When I get to stand on stage and share that moment with people. I guess the feeling of excitement and passion to perform has always outweighed the worry of getting up on stage. Every week it's something I look forward to, you're sharing and conveying so much of who you are in such a real way. Like I said before, meeting new people, talking with them and being inspired by them really motivates me at every show.

Most of your songs are charged and emotional, what's your inspiration? Do you write them based on personal experiences? 

Yeah, I think it's always been the way i've approached my own songwriting. Inspiration can come from anywhere whether it be be a particular emotion, a particular circumstance or something that's directly affecting my walk in life. It's my catharsis, an outlet of expression in a lot of ways. Sometimes it's emotionally challenging, I mean there are a few songs i've been recording with my band that really get me worked up about things that have happened this past year. But a lot of times it's a moment of relief, when I can finally get it out of my system and share it with people.

How do you go about writing a song? Is it a process of developing a combination of chords and then writing lyrics or is it much more than that?

I couldn't say I have a process to be completely honest. I'm always writing, whether it's lyrics, harmony and melody are always in my head. I'm constantly working away at songs and changing things as I go. Sometimes I'll just sit quietly and ideas will form from chords or melody and i'll start to bring them together. But I really think the passion for always wanting to write and change things keeps me intrigued and curious about new areas to move towards. I've been writing in a load of different styles while recording and working with people at college. I think it's echoed into my songwriting today.

Like I said I don't think I ever force it, if there is something in my mind that I really want to express or let out in the form of a song i'll just sit and play around with different ideas I guess. A lot of times i'll find I need to stop and let things sink in a bit more then i'll come back to those ideas and see how I feel about them, I'm really self-critical of anything i'm doing.

Do you find that social media has played to your advantage in building support for what you do?

In a lot of ways it has done for sure. There are a lot of things we can do right in the development and support for up and coming artists in any field. Art has been and forever will be about expression and personal emotive creation. I've always felt so strongly about these kinds of things, mostly because of my upbringing and my attitude towards the beauty in people i've always been really terrified and ultimately steered away from complete exploitation within music like "Those programmes". Things like Facebook, Twitter and YouTube are something we have created as an ether of instantaneous connection.

I am endlessly grateful and completely humbled by the support I have had through my years of doing this. I will always love and cherish the things that are said and the people who join me on the journey whether it's online or whatever else. But I never let it cloud my motivation or distract me from my love of music on a human level. I feel that in recent years a lot of people are willing to expose their lives completely in exchange for what is essentially a virtual following of complete strangers. I've never believed in that aspect of social media but I could sit for days and ramble about it. What's important to me and really the reason i'm doing what I do is for my complete and unconditional love for music, I'm so thankful for the support I have received over the years, it really does mean the world to me.

Finally, will you be releasing an EP or album any time soon?

I'm working on a new EP at the moment actually. Last month I announced i'd be recording it with some really good friends of mine, amazing session musicians I met over the past few years. It's been a lot of fun bringing the ideas together, this is my third studio EP. I had battled with the idea and process of releasing an album with a friends label last year but I ultimately decided to wait. It's a huge statement to make. I mean it will always be your first album. The bodies of work i've released so far have been small but i've recorded them in a paced and comfortable way. I never wanted to feel like I "had" to release anything. It's been really great producing music on my own accord and time. I can't wait to share the new music with everybody.

You can check out Sam online here 

Talent For Writing...

So i got this in the post today! I entered a competition where i had to write a 100-word monologue based on an inspiration of mine, so i took the point of view of Hazel Grace (from The Fault in Our Stars) talking about Augustus Waters and here's the certificate to say it will be published in a book alongside many other monologues! :D

Single Review: Woman Up by Ashley Roberts

SINGLE & VIDEO REVIEW: Ashley Roberts - ‘Woman Up’ http://t.co/2oWXEPS9zm via @Pop_Scoop
— Pop Scoop! (@Pop_Scoop) July 20, 2014

Review: Andreas Moe's New EP: Ocean

EP REVIEW: @andreasmoemusic Andreas Moe 'Ocean' http://t.co/d2ZP1MTwGU via @Pop_Scoop
— Pop Scoop! (@Pop_Scoop) July 16, 2014

Here is a review i did of an incredible artist and it gives me great pleasure to have written it to which i'm so grateful to have been told that the record label personally praised my work on what they believed to be such a great review!

Single Review: Fiend For Ya by Jay Junior

SINGLE REVIEW: @ImJayJunior Jay Junior - 'Fiend For Ya’ http://t.co/PlVKARuQzU via @Pop_Scoop
— Pop Scoop! (@Pop_Scoop) July 14, 2014

Album Review: 5 Seconds of Summer

There is something about the moment you buy a new album and hold it in your arms, taking in the fact that what lies behind that plastic casing is the sweet sound of euphoria and enjoyment to come. A moment of bliss and satisfaction, you rip open the casing and play the CD, taking in the sound of what's beguiling to the senses. An album that has held such desires close to my heart is the brand-new, self-titled album by none other than Australian pop/rock band, 5 Seconds of Summer.

A debut album, collating the hard work of 4 guys over 2 years, this is 5 seconds of summer's latest release to have caused frenzy on the web. Edgier than Michael's hair, 5SOS throw out rock tunes which will have you on your feet in moments, contrasting with soft ballads like 'Amnesia' and 'Never Be' which stretch the music genre to different heights. The general theme is that many of the songs are based on relationships that are, if not sweet, rebellious, also appealing to their fan base of teenage girls. It is clear in how every song sounds that this band has developed their own style, different to the perception that they are another 'One Direction'. This is far from the truth. Whilst they have a relevant pop sound, there is an ingrown rock style that's rivetingly clear in the vocals, particularly of guitarist, Michael Clifford. Then we have the talent in the fact they play instruments which is something that many rock bands hold dearly, traditionally as something which defines a rock band.

There is really nothing not to like about this album. If you feel in the mood to jump around there are songs like 'Don't Stop', a party hit through and through. What about 'English Love Affair'? Rocky, raunchy and rustic it's sure to have you strumming air guitar and air-drumming like an idiot without a care in the world in a fragment of a moment. But if you're not into that, there's tracks like 'Amnesia' which has a melancholic, doleful sound that at the same time has you lulled into a relaxed state of mind. 'Long Way Home', although more energetic has a slightly westernised sound that is entrancing, providing an unwinding and quieting feeling.

However this is a band, that many people choose to avoid, whether it be because their music taste is different or purely because the hysteria around the band, sourcing from teenage girls, causes them to distaste the attention the band receives. It's something i can't see to understand but is certainly a relevant reason why the appeal to 5SOS' music is not completely widespread. Despite this, i would definitely recommend this album because not only has it got the mainstream potential of pop songs but the rock sound engages a wider audience where those that would dislike bands such as 'One Direction', can turn to finding something such as this, bearable and very secretly, enjoyable and congenial.

'5 Seconds of Summer' is out now, available on iTunes and from local retailers

Book Review: The Mortal Instruments

Is it hot in here or is it just the heavenly fire?

What makes a book successful, in my opinion, is its ability to engage you in the text and make you feel emotionally compromised and utterly wrecked. Obviously feeling at a loss isn't the greatest feeling you could have and is by no means a way of defining happiness. But by feeling sadness from reading a book you also feel euphoria that cannot be put into words. But where am i going with this? No book is more worthy by this definition of success than City of Heavenly Fire by Cassandra Clare.

In this novel Clary, Jace, Simon, Alec and Isabelle face opposition from Clary's vindictive step-brother, Sebastian, who won't stop until he gets what he desires the most. The final instalment of The Mortal Instruments' series had me in tears even before the end of the book. As a last token to the characters it was obviously a book that's stood out for me, but Cassandra, when you think she can't write anything more disastrous and terrifying in the lives of the characters, builds tension on a phenomenal scale. Full of treachery, battles and moral judgement, there is never a dull moment, with action packed on every page. This is a book that is gripping through and through, one that i would sit reading, clutching my copy at 3am in the morning.

If you are a fan of dystopian literature then you will definitely enjoy this series. There is no doubt that if you have read the precursory 5 books, you will buy this novel because this is a series like no other, tantalising and unforgettable. I don't see how anyone, ANYONE would put down this copy and dismiss the unfolding interactions of such paramount characters. The best advice i could give is to head down to your local book store, library or closest internet source and get this book! But what if you haven't read the preceding novels? There is nothing more important to you now, in this moment, than to buy those books! I'm incredibly enthusiastic about it and of course this gives leads to bias, but on a personal level i say that this will have you fangirling harder than a directioner watching Niall's hip thrusts, and that's saying something!

The first 5 are available here for just over £10- now there's no reason you can't afford the series :P

New Blog

Hey guys i've created a new blog which will be dedicated to my A2 media coursework and during the course of the year i'll be creating a trailer! But for the time being i'm beginning with the preliminary task of creating a teaser trailer so you can check out my progress here. Enjoy!

Album Review: Ed Sheeran 'Multiply'

Emotive, lyrical and sensational

The British singer-songwriter, Ed Sheeran, has just released his second smash hit album 'Multiply: X' and it is no doubt one of the best pieces of music that will bless your ears. The album has already topped the Radio 1 album charts, doing so within the first week of release. Not only that, not just one, but several of the songs featured have made it into Radio 1's top 10 chart already; a phenomenal degree of success, Ed's rise to musical prosperity is by far only going up.

Now, there is more to this album than you might expect. Where his former debut album '+' promoted a sound of soft acoustics with the interjection of the 'rap' song, 'You Need Me I Don't Need You', Ed has upped his game not only touching on the characteristic sound of his acoustic brilliance but also creating songs such as 'rap', ballads and tracks that sound very much like a Bruno Mars jazz track.

But it's not just Ed's sound that has been further developed but also the way in which he has still been able to write upon his experiences and the evocative memories that bring deeper, more personal meanings to the songs. What makes Ed such a good singer is that he is able to take these feelings on board and express these emotions so passionately you hear them through how he sings. If i were to give you some examples, 'Afire Love' is a deeply poignant song, based on the passing of his grandfather. 'Don't' is based on Ed's ex-girlfriend who cheated on him by sleeping with his friend. I See Fire was written for 'The Hobbit: The Desolation of Smaug' and whilst it seems to be a relaxing song sanctifying the Dwarfs, it is closer to being a passionate song of brotherhood and war...well what do you expect, it is The Hobbit after all. Then we have All Of The Stars; what can i say about this song. Literally words beseech me. This song is incredibly emotive and there is no one who could have sung it with the justice it deserves better than Ed himself.

So all i've written about in this review is about how good the album is. In fairness there will be people who may not like Ed's music, maybe because they aren't appealed by the rhythmic acoustic or as they purely don't like his voice. But if you are a fan of Ed and just really enjoy his music then this will definitely appeal to you! As quirky as his ginger hair Ed's album is definitely one i would recommend buying. The album is out now so why don't you head down to your local HMV or supermarket and pick up a copy? Better still at the click of a button you will receive it on iTunes!

Want the vinyl? What about some tops to go with that? Click here

Lewis Watson Oxford Church Show: Video

Throwback to last month when i met Lewis Watson! Here is a video Lewis posted on his Twitter only today which shows the accumulated footage from his church shows (predominantly Oxford). I thought i'd post it so you get an understanding of how it looked and what the experience was like. Also it's really exciting because my friend and are on the video thumbnail xD -and therefore in the video! Haha anyway, enjoy! :D

Movie Review: The Fault In Our Stars

Enriching and thought-provoking, a film not to be missed

Someone hand me the tissues

When you're sat on your sofa pondering what film you fancy watching it's not difficult to select a film and immediately watch it from the ease of your computer or TV; then if you don't like it you can stop watching with the click of a button, without having lost a penny. But when we come across a trailer for a new film we have to think a lot more carefully about whether we are willing to watch the film since, at the end of the day, money is money and if you watch a rubbish movie you will have wasted that money. Evidently it's important that the movie you choose to watch at the cinema will be worth the money. I can say with immense gratification that this is a film unlike any others, exceptional and definitely one you will watch without regret.

The movie adaptation of John Green's evocative and poignant novel, The Fault In Our Stars is by far a film you do not want to miss! The film follows the story of sixteen-year-old, Hazel Grace who suffers thyroid cancer. On attending a cancer support group Hazel meets seventeen-year-old  Augustus Waters, who once suffered from osteosarcoma which caused the loss of his leg. These two teenagers are like no other, they face death with a new perspective and courageous strength. It's not just a love story but an insight into the impact of cancer.

Just as with the book, i thoroughly enjoyed this film. It will make you laugh, it will make you smile (trust me, i had a cheesy grin plastered on my face) and as you may have heard, it will make you cry. Undoubtedly the work put into this film was not wasted and i came away in complete admiration for the actors at how they so convincingly created the characters and were able to convey intense emotions in the most part of the film.

Okay. So you will probably pass this off if you don't like films that explore relationships. However if you do have even the smallest interest in romance or just familial relationships being explored in films then you need to get down to your local cinema and watch this film! I can explain to you using as many descriptive words as possible that this is a movie beyond the definition of incredible but honestly words beseech me. There's still time, so the best advice i'd give to you would be to watch this film- you won't be disappointed!

Want more? Why not buy the soundtrack? You can listen to the song All Of The Stars, pinned by singer/song-writer Ed Sheeran just below!

The Fault In Our Stars-Okay-Original song!

So a couple of weeks back i had a burst of inspiration and wrote a song based on the incredibly inspiring and thought-provoking book by John Green, The Fault In Our Stars. This is my song, Okay; i hope you like it, it's my first attempt at writing a song, plus i'm not naturally a singer but i hope you can listen to the lyrics and understand where i'm coming from! I'm sorry for the blurring in the video, i have no idea why my camera decided to do that... just as a note, i was and still am VERY tired so that explains why i look quite apathetic :/ :P

Alternative Ending to The Fault In Our Stars

Here's a little something i've written for a competition, enjoy! :D
http://www.movellas.com/story/201406122239147005-alternate-ending-to-tfios-competition-entry

Music Review: Somebody To You by The Vamps Feat. Demi Lovato

After the momentous release of their debut album, Meet The Vamps, British pop rock band The Vamps have teamed up with American singer, Demi Lovato to create the catchy and upbeat song, Somebody To You.

Characteristically The Vamps sound is iconic and personal to themselves, bringing together the artistry of their guitar playing and drum skills combined with the harmonising vocals of the 4 strapping members. Notably the individualistic sound of lead singer, Bradley Simpson's voice is a fresh reminder that this is a band like no other.

As i have mentioned before, Demi Lovato stars in this song, singing in the second verse with her astoundingly strong and iconic vocals, behind which Brad provides a soft harmony. There's no doubt that such a duet would have caused Demi's fans to flock to The Vamps, in turn supporting their sound and likewise, fans of The Vamps most likely have done the same for Demi; so we can assume that this collaboration has proven extremely beneficial for the artists. However in fact there has been mixed reception with some Demi fans claiming her voice is drowned out by the band, with fans of The Vamps counter-arguing that it is, after all, The Vamps' song, not Demi's.

The band, despite being more artistic and less 'manufactured' in how they sound, does however produce songs that we would stereotypically associate with the 'boy band' label, singing particularly about a girl they adore, pleasing their already huge fan base. Now i don't mind my share of pop music and indeed the essence of rock is there, although fine-tuned, but what the band is challenged by is the reception. Many people tend to pass off pop music produced by 'boy bands', claiming that they are heavily manufactured. Indeed a fair share of artists are 'manufactured' and controlled by the music industry and whilst i admit that there is a slight degree of that here, the fact that the band focuses on their skill and talent not only to sing but also in making great music through the use of their instruments, gives them an edge that many pop groups cannot compare to.

If pop-rock isn't up your street then i can only say that this song isn't for you. However I thoroughly enjoyed listening to the song and i think that even though you may not be into the idea of 'boy bands' it's still well worth a listen. So why not head to your local music store and purchase The Vamps new album? Even better, you can download the album immediately from iTunes here.

Book Review: Crossfire by Dick Francis & Felix Francis

I somewhat dubiously attacked this novel, albeit with the mild but tantalising excitement of turning the first page and reading into a new and intangible storyline. Full of scandalous secrets,writer and renowned post-war National Hunt jockey, Dick Francis wrote the book along with the collaborative input of his youngest son, Felix Francis,which together, they have helped bring together the well-researched knowledge of both horse racing and war to provide an insightful exploration into the possibility and likelihood of many corrupt organisations and fields of work.

The story begins on a high of tension and mystery as we are thrown right into a war scene and just like character, Captain Thomas Forsyth, we aren't fully aware of what has happened until the sergeant tells him that he has lost his foot. This is a very significant point to the background of the story for it directly tells us that there will be constant reference to Forsyth's experience being in the army as well as the difficulties that he will have because of the fact that he only has one leg (despite the effective but irritating use of his prosthetic). Much of Francis' language focuses on militaristic lexis and military history creating a very believable story. Furthermore there is a less significant role of lexis from the semantic field of horse racing, which would have been easily acquired by Dick Francis' experience as a jockey. Not only does the book exhume a great depth of knowledge into racing and war but there is a heavy focus on what is one of the most important elements to the story, finance. Crossfire, although living up to its name when given reference to an unusual occurrence/ change in a horses' gait, is predominantly fixated on the idea of war and the way in which two opposing sides are battling out. Despite no longer serving for the army on 6 month leave (due to the extent of his wound) Forsyth uses his tactical knowledge to battle against foes committing Fraud and blackmail because of a 'Hedge fund' gone wrong.

The action began halfway through the story creating suspense and excitement to which i read fruitfully more and more pages, keen to discover the ending; however admittedly, most of the time in which both Dick Francis and Felix Francis explained the difficult situation of handling finance i found myself incredibly lost and confused. Although i think i posed this perplexity not due to inattention to the details but rather due to my age and as a young reader with little knowledge of finance i think it is quite understandable to feel that way. So in all honest opinion, whilst it was an interesting book i believe that to get the best out of it i'd recommend a readership of late 20s and over; however if you happen to have a love for all things finance i see no problem in taking a stab at it!

Do not be fooled into thinking this is solely focused on horse racing, because it is not. In fact the book does have a background of horse racing but we hear of only a few races where blackmail stems. Yet this novel was written to centre predominantly on finance and the flaws of handling it.

All in all, this is a book sure to keep you engaged and interested and i would definitely recommend reading it, however if you wish to have full coherence of the plot then it may be best to be assured that you have knowledge or interest in finance and perhaps the corrupt exploitation of it, if thriller is a genre you find exhilarating.

Single Review: Don't Stop by 5 Seconds of Summer

Think 5SOS aren't you're thing because you 'don't like boy bands'? Well, fear not, this is no boy band...

From left to right: Luke Hemmings (17), Michael Clifford (18), Calum Hood (18), Ashton Irwin (19)

Energetic, exciting and explosive, Australian punk/rock band 5 Seconds of Summer have brought to the market a catchy new song entitled 'Don't Stop' as a subsequent single to the Number 1 hit 'She Looks So Perfect'.

Whilst in many ways mainstream songs heavily base themselves on synth sounds and others, in moderation, such is not apparent in this song, but rather the band focuses on the pure soul and artistry of their skill to play instrument which is how, conventionally, band's should be. Immediately the song begins with the pound of the drums and harsh sound of the bass guitar and this, combined with the vocals, creates a highly memorable song. All 4 members have an iconic edgy voice which couples well with the sound of the instruments, creating a rock sound associated with bands such as All Time Low and Green Day; in fact the band have explained many times how such bands as Green Day and All Time Low have inspired them to become what they are today, music-wise.

This is a song that cannot be listened to just once; it is extremely catchy. Not only is the song striking but 

the band's passion for their music and work ethic to put as much as they can into their music and even the videos produced to promote the song. Certainly the band have invested A LOT of time into this with the lyric video having been strategically composed to create an animated comic-style video showing the band as superheroes. If we didn't think things could get any better they pull out the official music video where we see the juxtaposition of the band rocking out, performing Don't Stop atop a building, instruments and all, and this image is then challenged as we see them developing as superheroes and by the end, saving the day, despite many embarrassing moments (notably Luke being beat up by an old woman).

This is a song bound to pleasantly surprise you, whether you are into bands or not, and even if you don't like the sound, the video is more than likely to amuse you. Either way i'd definitely recommend taking a chance to listen to the song and if you like it why not buy it on iTunes?

Don't Stop will be released on 15th June, available to pre-order now
Self-titled Debut album to be released 30th June, also available for pre-order now

Single Review: Bad Blood by Bastille

Check out my review for Bastille's new hit, Bad Blood here!

SINGLE REVIEW: Bastille - 'Bad Blood' http://t.co/UaO7eVg0qD
— Pop Scoop! (@Pop_Scoop) May 15, 2014

Update: Lewis Watson Gig- Oxford

Lewis Watson is the next biggest acoustic singer, born and raised in the heart of Oxfordshire, with a flair for singing and song writing. Yesterday i went to see him and below in the video description i have summarised pretty much what happened when my friend and i met him. I really want to emphasise how incredible it was to be a witness to watching him perform. Sat on the front row, i stared on in awe as he spoke about the stories behind why he wrote the songs and before, where i would have thought little about the songs' meanings, i could actually hear why he chose the lyrics he did and it meant so much more to me to know that. It was just awe-inspiring to be able connect with him on that level and it was only with his endearing character that i could actually do that, so as an artist he epitomizes the ideals: commitment, friendliness, a hard working personality and a passionate for music. Please, if you haven't already, check him out on YouTube because i believe he could be as big as Ed Sheeran and that can't be possible without your help, so if you click on this link here you will be directed to his channel: https://www.youtube.com/user/HolyLoowis